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12 Best Highest Paying URL Shortener Sites to Make Money Online 2019

1. Wi.cr: Wi.cr is also one of the 30 highest paying URL sites.You can earn through shortening links.When someone will click on your link.You will be paid.They offer $7 for 1000 views.Minimum payout is $5.
   You can earn through its referral program.When someone will open the account through your link you will get 10% commission.Payment option is PayPal.
   
   • Payout for 1000 views-$7
   • Minimum payout-$5
   • Referral commission-10%
   • Payout method-Paypal
   • Payout time-daily
   
   
2. BIT-URL: It is a new URL shortener website.Its CPM rate is good.You can sign up for free and shorten your URL and that shortener URL can be paste on your websites, blogs or social media networking sites.bit-url.com pays $8.10 for 1000 views.
   You can withdraw your amount when it reaches $3.bit-url.com offers 20% commission for your referral link.Payment methods are PayPal, Payza, Payeer, and Flexy etc.
   
   • The payout for 1000 views-$8.10
   • Minimum payout-$3
   • Referral commission-20%
   • Payment methods- Paypal, Payza, and Payeer
   • Payment time-daily
   
   
3. Clk.sh: Clk.sh is a newly launched trusted link shortener network, it is a sister site of shrinkearn.com. I like ClkSh because it accepts multiple views from same visitors. If any one searching for Top and best url shortener service then i recommend this url shortener to our users. Clk.sh accepts advertisers and publishers from all over the world. It offers an opportunity to all its publishers to earn money and advertisers will get their targeted audience for cheapest rate. While writing ClkSh was offering up to $8 per 1000 visits and its minimum cpm rate is $1.4. Like Shrinkearn, Shorte.st url shorteners Clk.sh also offers some best features to all its users, including Good customer support, multiple views counting, decent cpm rates, good referral rate, multiple tools, quick payments etc. ClkSh offers 30% referral commission to its publishers. It uses 6 payment methods to all its users.
   • Payout for 1000 Views: Upto $8
   • Minimum Withdrawal: $5
   • Referral Commission: 30%
   • Payment Methods: PayPal, Payza, Skrill etc.
   • Payment Time: Daily
   
   
4. Linkrex.net: Linkrex.net is one of the new URL shortener sites.You can trust it.It is paying and is a legit site.It offers high CPM rate.You can earn money by sing up to linkrex and shorten your URL link and paste it anywhere.You can paste it in your website or blog.You can paste it into social media networking sites like facebook, twitter or google plus etc.
   You will be paid whenever anyone will click on that shorten a link.You can earn more than $15 for 1000 views.You can withdraw your amount when it reaches $5.Another way of earning from this site is to refer other people.You can earn 25% as a referral commission.
   
   • The payout for 1000 views-$14
   • Minimum payout-$5
   • Referral commission-25%
   • Payment Options-Paypal,Bitcoin,Skrill and Paytm,etc
   • Payment time-daily
   
   
5. Adf.ly: Adf.ly is the oldest and one of the most trusted URL Shortener Service for making money by shrinking your links. Adf.ly provides you an opportunity to earn up to $5 per 1000 views. However, the earnings depend upon the demographics of users who go on to click the shortened link by Adf.ly.
   It offers a very comprehensive reporting system for tracking the performance of your each shortened URL. The minimum payout is kept low, and it is $5. It pays on 10th of every month. You can receive your earnings via PayPal, Payza, or AlertPay. Adf.ly also runs a referral program wherein you can earn a flat 20% commission for each referral for a lifetime.
   
6. Cut-win: Cut-win is a new URL shortener website.It is paying at the time and you can trust it.You just have to sign up for an account and then you can shorten your URL and put that URL anywhere.You can paste it into your site, blog or even social media networking sites.It pays high CPM rate.
   You can earn $10 for 1000 views.You can earn 22% commission through the referral system.The most important thing is that you can withdraw your amount when it reaches $1.
   
   • The payout for 1000 views-$10
   • Minimum payout-$1
   • Referral commission-22%
   • Payment methods-PayPal, Payza, Bitcoin, Skrill, Western Union and Moneygram etc.
   • Payment time-daily
   
   
7. Short.am: Short.am provides a big opportunity for earning money by shortening links. It is a rapidly growing URL Shortening Service. You simply need to sign up and start shrinking links. You can share the shortened links across the web, on your webpage, Twitter, Facebook, and more. Short.am provides detailed statistics and easy-to-use API.
   It even provides add-ons and plugins so that you can monetize your WordPress site. The minimum payout is $5 before you will be paid. It pays users via PayPal or Payoneer. It has the best market payout rates, offering unparalleled revenue. Short.am also run a referral program wherein you can earn 20% extra commission for life.
   
8. Ouo.io: Ouo.io is one of the fastest growing URL Shortener Service. Its pretty domain name is helpful in generating more clicks than other URL Shortener Services, and so you get a good opportunity for earning more money out of your shortened link. Ouo.io comes with several advanced features as well as customization options.
   With Ouo.io you can earn up to $8 per 1000 views. It also counts multiple views from same IP or person. With Ouo.io is becomes easy to earn money using its URL Shortener Service. The minimum payout is $5. Your earnings are automatically credited to your PayPal or Payoneer account on 1st or 15th of the month.
   
   • Payout for every 1000 views-$5
   • Minimum payout-$5
   • Referral commission-20%
   • Payout time-1st and 15th date of the month
   • Payout options-PayPal and Payza
   
   
9. LINK.TL: LINK.TL is one of the best and highest URL shortener website.It pays up to $16 for every 1000 views.You just have to sign up for free.You can earn by shortening your long URL into short and you can paste that URL into your website, blogs or social media networking sites, like facebook, twitter, and google plus etc.
   One of the best thing about this site is its referral system.They offer 10% referral commission.You can withdraw your amount when it reaches $5.
   
   • Payout for 1000 views-$16
   • Minimum payout-$5
   • Referral commission-10%
   • Payout methods-Paypal, Payza, and Skrill
   • Payment time-daily basis
   
   
10. Short.pe: Short.pe is one of the most trusted sites from our top 30 highest paying URL shorteners.It pays on time.intrusting thing is that same visitor can click on your shorten link multiple times.You can earn by sign up and shorten your long URL.You just have to paste that URL to somewhere.
    You can paste it into your website, blog, or social media networking sites.They offer $5 for every 1000 views.You can also earn 20% referral commission from this site.Their minimum payout amount is only $1.You can withdraw from Paypal, Payza, and Payoneer.
    
    • The payout for 1000 views-$5
    • Minimum payout-$1
    • Referral commission-20% for lifetime
    • Payment methods-Paypal, Payza, and Payoneer
    • Payment time-on daily basis
    
    
11. CPMlink: CPMlink is one of the most legit URL shortener sites.You can sign up for free.It works like other shortener sites.You just have to shorten your link and paste that link into the internet.When someone will click on your link.
    You will get some amount of that click.It pays around $5 for every 1000 views.They offer 10% commission as the referral program.You can withdraw your amount when it reaches $5.The payment is then sent to your PayPal, Payza or Skrill account daily after requesting it.
    
    • The payout for 1000 views-$5
    • Minimum payout-$5
    • Referral commission-10%
    • Payment methods-Paypal, Payza, and Skrill
    • Payment time-daily
    
    
12. Linkbucks: Linkbucks is another best and one of the most popular sites for shortening URLs and earning money. It boasts of high Google Page Rank as well as very high Alexa rankings. Linkbucks is paying $0.5 to $7 per 1000 views, and it depends on country to country.
    The minimum payout is $10, and payment method is PayPal. It also provides the opportunity of referral earnings wherein you can earn 20% commission for a lifetime. Linkbucks runs advertising programs as well.
    
    • The payout for 1000 views-$3-9
    • Minimum payout-$10
    • Referral commission-20%
    • Payment options-PayPal,Payza,and Payoneer
    • Payment-on the daily basis
    
    

How To Download Max Payne 1 For Pc

R-Theta 2: Expanded Edition

R-Theta 2: Expanded Edition is a game based in polar coordinates. Every point in the game is assigned a radius and theta value, denoting the distance of the point from the centre, as well as the angle it makes with the x-axis.

The player is in control of a triangular shooter, built into a constantly rotating radar-scope which must be protected from collision with other enemies. Use the up and down arrow keys to decrease or increase the ship's radius from the centre. Hold the X key for rapid fire, tap the C key to shoot and use the Z key to launch a destructive missile. Keys can be reconfigured by pressing the F2 function key at the title screen.

This updated version includes nine new enemies and an adjustable difficulty setting.

Name: R-Theta 2: Expanded Edition
Developer: Theta Games
Category: Action
Type: Freeware
Size: 2MB
Direct download link: Click here (Vista version)

My Favourite Tom Hanks Performances

The Terminal (Dir. Steven Spielberg, 2004)

"I frankly and selfishly think it's the best performance Tom Hanks has ever given in a movie. That's my humble opinion" - Steven Spielberg 

In The Terminal, Hanks plays Viktor Navorski, a man travelling from a fictional eastern European country called Krakozhia who finds himself stranded at JFK airport. Unable to either enter New York or return back to his hometown due to a military coup which has destabilised his government, Navorski is stuck in a bureaucratic limbo and at the mercy of Frank Dixon (Stanley Tucci), the unwavering customs director at JFK who stands between Viktor and his humble goal of entering the United States to fulfil a promise he made to his father before his death.

As Viktor becomes the man with no country, the terminal he's stranded in becomes a microcosm of America itself. JFK airport functions as its own city almost, a home where Hanks falls in love, finds a job and earns the respect of a community that slowly comes to accept and feel an affinity towards the lonely but resourceful outsider, who has had to adapt and survive in his new home by using an increasing number of ingenious solutions to remove the barriers that are initially in his path; namely hunger and communication. Soon enough he is earning enough money to buy Burger King meals once he's figured out that returning the luggage trolleys dotted around the terminal yields a quarter coin reward, or he is fixing his broken English by comparing identical travel guides in different languages. Communication is prevalent here as it is in many Spielberg films, it's a barrier for Viktor, but like the cosmic visitor in E.T, language doesn't prevent this stranger from touching the lives of those he meets in his journey. For an actor who has come to be nicknamed 'America's Dad', Hanks is extremely convincing as a fish-out-of-water foreigner; to Dixon he is a man from a country that is so incredibly detached from the ideals of the United States that he feels it's impossible for Viktor to ever really integrate into such a society. He for one can't understand the existence of the romance between him and flight attendant Amelia (Catherine Zeta-Jones) that blossoms, questioning why she would choose Viktor over any other man. Despite Dixon's own opinions, the character that Hanks inhabits here is as relatable as any other that the actor has played. "I believe all of us have felt a little bit like Viktor at some time in our lives", Spielberg has said, "this displaced person in search of a life".

The film isn't so naive and idealised to think that all people who pass though customs gates are as benign as Viktor, Dixon's job is an important one, and one that he is gifted at, as demonstrated in his ability at one point to spot a traveller who is trying to smuggle drugs through security. Dixon certainly isn't a bad man, just one that is concerned with doing his job so 'by the books' that he sometimes forgets that the rules need to be forgotten in order to show empathy. Hanks seems to be playing someone whose journey eventually becomes emblematic of the America which allows immigrants to come to in order to better their own lives, 'a reaffirmation of the inclusive spirit that welcomed newcomers such as Spielberg's own grandparents to the United States' (McBride, 2010: 499), it is this great melting pot, that Spielberg said in a 2004 interview is what makes the country so strong. Viktor puts his handy-man skills to work and is able to get a job working on the refurbishment of a new departure lounge, quite humorously with a wage packet that is bigger than Dixon's, the man who is responsible for Viktor's plight in the first place. Here, immigrants aren't the dehumanised beings that you see tabloid newspapers increasingly portray them as; they are important to the building of a nation such as America, but perhaps more importantly (as Dixon's boss himself points out), they are people who we ourselves can learn a thing or two from. Hanks plays the character so endearingly that we wish we could be more like him, or at the very least help him - at one point Spielberg makes us feel such empathy towards Viktor that we wish we could reach out and assist him ourselves. He gives us an incredibly ambitious shot that pulls away from Viktor who has just tried (in vain) to get help in using his pre-paid calling card; as it eventually dawns on him that no one will come to his aid, Hanks stands motionless as the hustle and bustle of the terminal crowds frantically move all around, we finally see the scale of the environment that Viktor is now trapped inside - a harsh world that he will eventually overcome though kindness and compassion, even if Dixon shows him none in return.

Slowly but surely, Hanks' character manages to peel back the bureaucratic ideals that Dixon has established at JFK. Spielberg sets up the routine and rigorous nature of border control as soon as the film starts, as we see various customs workers repeating the lines "What is the purpose of your visit?" to the tourists and businessmen who have disembarked from their flights, it is an ordered and repetitive world at the start, devoid of heart or sympathy, more like a factory than anything else. As Paul Bullock notes, Spielberg even manages incorporate such a theme into the opening title sequence; as he presents us with a departures board that is as 'cold and mechanical' as the airport itself, a motif that is dismantled for the end credits which shows the signatures of the cast and crew; a nod to the plot point of Hanks travelling to the USA to get an autograph of course, but also symbolic of how the airport is a 'much more human world' (Bullock, 2018) now that Viktor has passed through it.

"I was my father-in-law in that movie. Hassan Ibrahimoff was his name. When I go to Europe and work there for a long time, I can't tell you how often The Terminal is the first movie people mention, because, [affects Eastern European accent] 'You were me. That was me. You make my story'. As Americans, we come home to America and we have to go through Homeland Security and then we're done. The folks who are coming to America in order to see it for the first time, they have a whole different take on those boundaries between the plane and the street." - Tom Hanks

Captain Phillips (Dir. Paul Greengrass, 2013)

"He's given me so many of my treasured moments in the cinema. He's a magnificent human actor. He can embody the Everyman like no one else"- Paul Greengrass

In Captain Phillips, Hanks plays the title character, the captain of the Maersk Alabama which is sailing off the Coast of Somalia when it is hijacked by pirates who demand ransom money for the safe return of the crew. What follows is Hanks' character struggling to negotiate with his captors as he tries to keep the whereabouts of his crew hidden from their attention. Through circumstance, Hanks soon finds himself trapped with the the pirates on a lifeboat, until the American military finally comes to his aid after a complex and large scale rescue attempt. 

This film is on the list because of the last scene alone, but to understand why that moment is so powerful, one has to understand everything that has come before it. Despite the physical and emotional stress that Phillips underwent throughout the whole ordeal, Hanks largely portrayed a person who was able to keep his emotions and composure in check even with a rifle pointed at his back. There are moments where he is quite clearly terrified, particularly during the climatic stand-off at the end as SEAL commanders prepare to kill the pirates with sniper rifles, but Greengrass keeps the attention on Phillips throughout and lets us witness his moments of stoicism such as when he refuses to give up the location of his crew. However, once Phillips has been rescued, with the blood of his captors on his face and clothes, the reality of what he has just gone through crashes down on him as he falls to bits. At first he is completely empty and can only stare blankly at the medic who is tasked with taking care of him. As she asks him routine questions about his health, Phillips seems dimly able to even process her simple queries, whilst he is trying to give an answer to what she is asking of him, he can't seem to find the energy or motivation to speak in any coherent manner. Then, after being frozen in fear and in an almost catatonic state, he finally starts to crumble - he snaps in and out of crying and asks whether his family have been told where he is, thanking the medic repeatedly. In my opinion it's the single most powerful moment in Hanks' career. 

"It's a moment like I've never had making films" - Tom Hanks

As audience members, we are used to seeing characters in action films who seem to be desensitised to violence around them, they either shrug off their own murders or they shrug off murders that they have witnessed, but Greengrass reminds us here that Phillips was a normal person in an extraordinary circumstance: "We felt there had to be a cathartic moment where you understood what the experience had meant", he has said. Credit has to go to the unprofessional actress in this scene, Danielle Albert, a real-life nurse who apparently was so star-struck that she froze and cried when she first saw Tom Hanks on set (understandable). Her performance is important because it allows the two to play off one another so well, the contrast between her calm professionalism and his utter distress does nothing but emphasise the state that he is in; it shows us the difference between people whose job requires them to become used to violent images vs regular people that can't comprehend what they have just witnessed. It's a culmination of the previous two hours, two hours that had been incredibly tense and largely fast paced being boiled down to a quiet two minute scene that explores the repercussions of what has just come before it.

"The actor's job is to embody the truth. That's what is there in that scene—the truth of vulnerability, shock, confusion, and all the things that you'd expect of an experience like that. There's a shocking sense of humanity. You have to seize those moments…and Tom did." - Paul Greengrass

A League Of Their Own (Dir. Penny Marshall, 1992)

"There's a great deal of humanity in Penny's films, All of them touch you. She wants to make you feel the way she feels" - Elliot Abbott (Producer)

Hanks' only supporting role on this list, A League of their Own is a film that is, refreshingly about women. It's about women who are pushed to the foreground of the narrative that spend the runtime proving the men who doubt them wrong. Based on the true story of the All-American Girls Professional Baseball League (AAGPBL), it follows the females who filled the shoes of male baseball players after they went overseas to fight in WWII, and their struggle and eventual success to be recognised in the sport. Although a league is established, we are particularly on the side of a team called The Rockford Peaches, as a sibling rivalry develops between sisters Dottie (Geena Davis) and Kit (Lori Petty) who are both selected for the same team.

Much like Road To Perdition, A League of their Own is one of those rare instances where Hanks plays someone who may not be entirely sympathetic at the start. He pays Jimmy Dugan, a washed up, alcoholic ex-baseball player who agrees to take on a coaching job for the Rockford Peaches purely for the money. Rather than coach his players however, he tends to stumble onto the field, wave his hat to the crowd whilst mumbling swear words under his breath, to then retreat to his dugout and either pass out or scratch his balls for the duration of the game. At this point he's like many of the men in the small crowds that turn up to watch these matches; a cynic who doesn't see the people in this league as the talented baseball players that they are, but simply women who shouldn't be on a sports field. Slowly but surely, he comes to realise that his new profession gives him a second chance, as a once extremely talented professional baseball player himself who lost it all due to drinking, Jimmy's fresh vocation becomes something that he is both passionate about and talented
at too. Not only does he help to inspire the women he is working with, but he has matured enough to offer heartfelt emotional support to his team who now harbour a deep mutual respect for one another. In one heartbreaking scene in particular, Penny Marshall reminds us of the harsh reality of the time period the movie is set in when the pre-match jovial atmosphere is shattered by a telegram from the war department that arrives to inform one of the married ladies that their husband has been killed in action. Jimmy shoves away the incompetent and insensitive courier who insists that he must return to the post office after a mix-up leaves him unsure which woman in the room the telegram is meant for - not wanting to leave his team in agonising suspense, Jimmy opens the telegram, tactfully and remorsefully delivering the terrible news himself. As he comforts the unconsolable Betty (Tracy Reiner) it's hard not to be reminded of how much this moment contrasts with the very first time that Jimmy entered the dressing room in a drunk stupor, and how much he has transformed since then. Like The Terminal, the film is a great example of how Hanks is talented in both drama and comedy; there are plenty of laughs to be had here in between these aforementioned sombre moments. 

A League of their Own undoubtedly belongs to the ladies in the film, but Hanks' progression from an arrogant has-been to a genial leader makes him as memorable as the women. He is more similar to the ladies at the start than he realises; he too is an outcast since his past actions have lost him the respect of those in the baseball industry; it's up to him prove his doubters wrong, just like the women have to. 

"I wasn't doing it just to do a women's picture. The problems as they're presented in the movie apply to both men and women. It's about not being afraid of your talents. It's a universal thing" - Penny Marshall

Apollo 13 (Dir. Ron Howard, 1995)

"He was always very compelling in every scene... whenever he had something to do or say he was alive, he was interesting" - Ron Howard

While Hanks' character was finally able to reach his (admittedly more low key) dream in The Terminal, Ron Howard's Apollo 13 is the tale of a individual who fails to achieve his life's ambition, this was a prospect that one of Ron Howard's heroes, director Billy Wilder thought was an incredibly interesting and unique angle for a film to explore (Cited in Gary, 2003: 178). Its tells the true story of the Apollo 13 space mission, as their intention of landing on the moon soon becomes a race against time to simply get back to Earth alive after an explosion on board leaves them with a host of problems: including high carbon dioxide levels and falling oxygen supplies that threatens the lives of the three on board: Jim Lovell (Hanks), Jack Swigert (Kevin Bacon) and Fred Haise (Bill Paxton). 

The media interest for the mission that picks up only after its revealed that the astronauts are in danger is reminiscent of the themes that were explored in Ace In The Hole (Wilder, 1951) and the macabre interest that seems to follow news only when it is negative. Ultimately though Apollo 13 is still a story of heroism and bravery, and the real tale of the resourcefulness of a group of people who had to overcome a monumental calamity with technology that Roger Ebert pointed out was less powerful than the computer that he was using to write his review of the film! The picture may have struck a nerve with some audiences who remembered witnessing the Space Shuttle Challenger disaster live on television in 1986; it could have served as a reminder of how space travel, while dangerous, is an example of the remarkable achievements that humanity is capable of.

Although the recent First Man (Chazelle, 2018) is much more intimate in its portrayal of a single man going into space (Apollo 13 is more concerned about showing others involved, such as mission control), both still tell personal stories about their main character. The success of bringing the men back to Earth was clearly the result of the cooperation of hundreds of different people, but to all intents and purposes, Hanks is the main character, and through him we are able to experience the collective disappointment that was felt all throughout NASA as the Apollo 13 mission failed to complete its mission. When the spacecraft Odyssey has to fly by the Moon without actually landing on it, Lovell watches his lifetime dream which is within reaching distance, pass behind him - and we understand the heartache that he must be feeling given that he has already revealed that this will be his last trip into space. Unlike with A League of their Own or The Burbs, there's nothing particularly flashy about how he plays his character (which was in-keeping with the level headedness of the real-life Lovell), but even when he is forced to raise his voice - it's to defuse and argument between his two colleagues; thereby acting as the reassuring and professional voice in the face of the disaster.

"It's inspirational yet we are talking about guys who didn't make it to the moon. It's inspirational because we are showing the potential of human kind. We are showing that it's possible not just to go to the moon but to also brings guys back when it seems like that's an impossibility" - Tom Hanks

Saving Private Ryan (Dir. Steven Spielberg, 1998)

"I was trying very hard to imagine what actor would not immediately want to use his teeth to pull out a pin from a hand grenade. And Tom Hanks just sprung to mind." - Steven Spielberg

As Spielberg's quote suggests, Hanks' everyman persona came into play again in his WWII epic Saving Private Ryan. In it he plays Captain Miller, a soldier in the European theatre of war who, after surviving the brutal Omaha beach landings at Normandy, is tasked (along with 7 others under his command) with finding the only surviving sibling of four men who have been killed in action, so that he may safely return home. Throughout the picture, the loss of Millers' men leaves the remaining squad members to question the sense in risking their own lives for the sake of one person.

Although Hanks plays Miller as someone who you would certainly want on your side in battle (he is quick and instrumental in organising his group of troops for the counter-attack on Omaha beach), he isn't immune to making mistakes - whilst an experienced, authoritative and brave leader who cares deeply for his men, you get the sense that he feels incapable of carrying the weight and responsibility of commanding them on his shoulders. An extremely insightful interview that Ebert conducted with Spielberg explores this human concept - as we witness Millers' story, Ebert writes that 'we never feel we're watching a movie hero', instead the director wanted to shy away from 'traditional action heroes and toward the kinds of soldiers who actually did fight the war, not John Wayne, but English teachers from Pennsylvania' (Ebert, 1998). Much like with Captain Phillips, Spielberg doesn't forget that there is a psychological toll involved with violence; at the same time as carrying the guilt of the men who have died whilst he has been in command, Miller is equally concerned that his own killing of the enemy is stripping away his humanity: "With every man I kill the farther away from home I feel". It all leaves him to wonder whether his actions throughout his time fighting the war have changed him as a person so much that his wife will even recognise him when he returns home. A telling and understated moment that underlines how Miller is numbed to death and carnage comes during the scene when his team are looking through dog tags of deceased airborne troops to see if Ryan is amongst them. Miller is laughing along with his squad as they treat the dog tags like poker chips, throwing them around the table and in some instances mocking the ethnicity of the fallen based on their name. It's only after the medic steps in to explain how callous the men are being that Miller is struck with remorse at what he has just done; leaving him to stare down at the dogtags and briefly reflect on how drastically the war has transformed him.

Although clearly respected by his company, there is an air of mystery surrounding Miller and the relationship that he has with them, they don't really know anything about their leader and they even place bets secretly with each other on what they think his job in America was. Miller himself is reluctant to open himself up to them, perhaps because he feels that if he's distant and refuses to establish any kind of deep bond, the emotional pain that he'll experience if they're killed won't be as traumatic (as demonstrated with his initial lack of emotion at looking through the dogtags of men that he didn't know). In reality however, he feels the death of every person who has died under his watch because he has been on this intense and personal journey with them, having committed the numbers of deceased to memory which tragically rises more and more as he goes about his mission. This is all what stops Miller from being a forgettable and generic character in what is an oversubscribed genre. He is an enigma to the audience during the first scenes on the Normandy landing crafts, but when Spielberg is building up the tension in preparation for the final battle in Ramelle, we know him so much more - he's a schoolteacher, not a superhero. By showing us a normal person who displays both flaws and heroism, Saving Private Ryan reminds us that WWII was fought by regular men who had normal jobs waiting for them back home, with combat training that couldn't hope to prepare them for what they were about to partake in. Nothing on screen can ever hope to make us truly feel what these men went through of course, but Spielberg is excellent at showing us the disorientation and vulnerability of the troops in every single battle scene, and by utilising Janusz Kamiński's desaturated cinematography, he de-glamorises everything we see to give the film a level of realism that is as close as we would ever want to come to war ourselves.

"Larger-than-life characters make up about .01 percent of the world's population...We won the war because of ordinary guys who did the right thing at the right time." - Tom Hanks

The 'Burbs (Dir. Joe Dante, 1989)

"Making that movie was one of my favorite experiences and, despite its initially unimpressive critical reception, it has lived on the become something of a touchstone for fans of '80s comedy. It has a lot of fans" - Joe Dante

If I had to select one film that optimises Hanks' knack for straight out comedy, it would be Joe Dante's The 'Burbs, a film that was a critical flop on release but is probably my most re-watched film of his career. In this comedy-horror, he plays Ray Peterson, a typical suburbanite living on a cul-de-sac who becomes convinced that his mysterious next door neighbours, The Klopeks, are up to something sinister. 

Taking an often hilarious dig at small town America, The Burbs is a somewhat overlooked film in Hanks' career that actually has so much to love, with some particular moments from him being an absolute joy to watch. There are instances such as the beer can crushing scene, or the moment at the end when his impatience at the lack of helpful paramedics leads Ray to throw a gurney into the back of an ambulance, when you realise what a superb physical comedy performer he is. (And, lest we forget, the incredible few seconds where he slides down a set of steps after being blown up - "I don't think I could do that today without twisting an ankle", Hanks has said). Given that Ray is initially the straight man who doesn't believe his friend's suspicions about The Klopeks, it makes his freakout scenes all the more amusing because you get the impression all along that his bumbling mates and their crazy theories are setting him on the verge of some kind of a comical breakdown - he's very much the stand in for the audience one again. 

Jerry Goldsmith's eclectic score is another delight, in which he spoofs his own music from Patton and even incorporates a spaghetti western style track belonging to Ennio Morricone which plays when two of our 'heroic' main characters build up the courage to ring The Klopeks' door bell - it's a great subtle nod to the film's promotional poster which depicted Hanks in his dressing gown clutching a hose and spatula as if he's engaged in some kind of stand-off against a gunslinger in the wild west. This way in which the mundanity of the suburban setting in 'The Burbs clashes with the nightmarish surreal elements of its actual plot are superbly realised in both this music and the poster and they are both great signifiers of how the bizarre and humorous were to blend together in the picture. I can't talk about the score however without mentioning the 'uplifting' track of the movie that we hear over the end cast credits, because it's probably one of the most joyful pieces of music that I've heard (which I am usually whistling to myself for days on end after rewatching the film). It's somewhat of an oddity amongst the other eccentric tracks featured in the movie but perhaps that's the point, it's a friendly and jovial piece that we first hear a variation of when we're introduced to the cul-de-sac, and then at the end when the story is all is said and done - before and after this seemingly unremarkable community is turned upside down. 

The ensemble cast too is a real treat, including Carrie Fisher, Corey Feldman and Bruce Dern who all have their moments to shine with extremely funny lines, but the star of the show is Rick Ducommun as 'Art'. He's a human dustbin that, when not rudely emptying the contents of Ray's fridge into his own stomach, is feeding Hanks' paranoia about their cryptic neighbours and convincing him to pursue his suspicions further. They make a great pair, and much of the laughter comes from the interactions between these two men, as Ray's exasperation at Art's behaviour reaches breaking point at several points throughout. 

"That [filming The 'Burbs] was fun. It was really a story about a guy that should have gone on vacation. This is not a story about horrible things, this is a story about a man who should have packed the car and driven away from his house...we laughed an awful lot on set" - Tom Hanks

Honorable mentions:

The Green Mile (Darabont, 1999)

Forrest Gump (Zemeckis, 1994)

Philadelphia (Demme, 1993)

Cast Away (Zemeckis, 2000)

Road To Perdition (Mendes, 2002)

References:

Bafta. 2013. Ron Howard: A Life in Pictures 02 July 2013 at the Princess Anne Theatre, BAFTA, 195 Piccadilly Transcript. Bafta. [Online] Available here: http://static.bafta.org/files/ron-howard-life-in-pictures-transcript-1860.pdf

Bullock, P. 2018. Directed by Steven Spielberg: Spielberg's Title Sequences. From Director Steven Spielberg. [Online] Available here: https://fromdirectorstevenspielberg.com/2018/11/03/directed-by-steven-spielberg-spielbergs-title-sequence/

Cowan, J. 2016. Director Joe Dante Looks Back at Working With Carrie Fisher on The 'Burbs. LA Weekly. [Online] Available here: https://www.laweekly.com/arts/director-joe-dante-looks-back-at-working-with-carrie-fisher-on-the-burbs-7765622

Ebert, R. 1998. Private Spielberg. Roger Ebert. [Online] Available here: https://www.rogerebert.com/interviews/private-spielberg

Ebert, R. 1998. Tom Hanks recalls Private Ryan Shoot. [Online] Available here: https://www.rogerebert.com/interviews/tom-hanks-recalls-private-ryan-shoot

Ebert, R. 1995. Apollo 13 Review. Roger Ebert. [Online] Available here: https://www.rogerebert.com/reviews/apollo-13-1995

ESPN. 2017. A League of their Own Stands the Test of Time. ESPN. [Online] Available here: http://www.espn.com/espnw/feature/19437746/an-oral-history-league-their-own-25th-anniversary

Etkin, J. 2015. Tom Hanks Reveals The Movies That Have Meant The Most To Him. Buzzfeed. [Online] Available here: https://www.buzzfeed.com/jaimieetkin/tom-hanks-bridge-of-spies-career-retrospective

Gary, B. 2003. Ron Howard: From Mayberry to the Moon...and Beyond. Tennessee: Rutledge Hill Press.

Hewitt, C. 2015. Empire meets Tom Hanks: On Bridge Of Spies, Toy Story 4 and The 'Burbs. Empire. [Online] Available here: https://www.empireonline.com/movies/features/empire-meets-tom-hanks-bridge-spies-toy-story-4-burbs/

Interview with Tom Hanks, Bill Paxton and Kevin Bacon. Youtube. [Video File] Available here: https://www.youtube.com/watch?v=2ODmyIrAnII&frags=pl%2Cwn

Marlow, S. 2013. Tom Hanks on His Riveting Oscar Moment That Ends Captain Phillips. The Daily Beast. [Online] Available here: https://www.thedailybeast.com/tom-hanks-on-his-riveting-oscar-moment-that-ends-captain-phillips

McBride, J. 1997. Steven Spielberg: A Biography. Mississippi: University of Mississippi Press.

Meslow, S. 2013. The Best Scene in Captain Phillips Wasn't Even in the Script. The Week. [Online] Available here: https://theweek.com/articles/458929/best-scene-captain-phillips-wasnt-even-script

Orenstein, P. 1992. Making It in the Majors. The New York Times. [Online] Available here: https://www.nytimes.com/1992/05/24/magazine/making-it-in-the-majors.html

Parade. 2013. Captain Phillips Director Paul Greengrass: Tom Hanks Embodies the Everyman Like No One Else. Parade. [Online] Available here: https://parade.com/157700/parade/captain-phillips-director-paul-greengrass-tom-hanks-embodies-the-everyman-like-no-one-else/

Schickel, R. (2012). Spielberg: A Retrospective. London: Thames and Hudson.

Total Film. 2004. The Total Film Interview - Steven Spielberg. Total Film. [Online] Available here: https://www.gamesradar.com/uk/the-total-film-interview-steven-spielberg/

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Forbidden Desert Review

I had just gotten Forbidden Island right when Forbidden Desert came out.  So despite the fact that Forbidden Desert was the new hotness, I knew I couldn't justify getting it for a while.  Well a while passed, and a friend of mine gifted it to me for my birthday.  Man did I get a lot of games played that day.

Now I love Forbidden Island, but it is not without it's problems.  It was a slimmed down, streamlined version of Pandemic.  But in the process of shedding excess rules and mechanics, it's quarterbacking problem became more pronounced.  Quarterbacking referring of course to one player instructing all the others what to do with their cold, ruthlessly correct logic.

So Forbidden Desert is Matt Leacock's third cooperative game, published by Gamewright in 2013.  It's another iteration of the same fundamental design he's been molding since Pandemic.  After escaping from the Forbidden Island by helicopter, you crashed straight into the Forbidden Desert.  You must reassemble an ancient Flying Machine who's parts are scattered, buried in the sands.  Only once you've done this can you escape before you die of thirst, or are buried in the sands yourself.  Today I'm going to look at how it's changed from previous iterations, and how well it handles the quarterbacking problem.

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PUBG PC LITE HIGH COMPRESSED [600MB] | High Compress

PUBG PC LITE HIGH COMPRESSED 

The pubg video game is developed by pubg corporation a bluehole company and launched for all platforms like Android Windows, Xbox, PlayStation 4 etc. this game provides an online multiplayer battle game.2000 Japanese film Battle is inspired by the Royal and has expanded into a standalone game under the creative direction of Green. In the game, more than one hundred players on an island parachute and scouring for weapons and equipment to kill others while avoiding killing themselves. The available safe area of the game map decreases in size with time, which guides the living players in tight areas so that encounters can be strengthened. The final player or team wins the round.On completion of each round, players receive in-game currency based on their performance. Currency is used to purchase boxes containing cosmetic items for character or weapon optimization. Around the year 2018 was added to rotate the "Event Mode" in the game. These events change normal game rules, such as setting up large teams or squads, or changing the distribution of arms and armor on the game map.

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Battleground is a player-to-player shooter game in which more than one hundred fighters fight in a real fight, a form of massive deadly combat in which the players fight to survive. Players can enter the game with a single, pair or small team up to four people. The final person or live team wins the game.Each game starts with approximately 8 × 8 kilometers, 6 × 6 kilometers, and 4 × 4 kilometers in size, with players from one plane to four maps. Through the map, the flight path of the aircraft varies with each round, so that the players have to get out quickly and set the best time for the parachute. Players start without devices beyond the selection of custom clothing, which do not affect the game. Once they descend, the player can find buildings, ghost cities and other sites to find weapons, vehicles, armor and other equipment. These elements are processively distributed throughout the entire map at the beginning of the game, and there are better tools in some high-risk areas. Players who have already been killed to get their equipment can be looted. Players can choose to play from the view of the first person or third person, each with its own advantages and disadvantages and loss in situational awareness; However, the use of specific configuration of the server can be used to force all players to persuade a perspective to eliminate some benefits.

Every few minutes, the playable area of ​​the map starts to shrink at a random location, any player is trapped safely outside the safe zone that is harmed, and ultimately the end of the safe zone is not finished it happens; In the game, players see the boundary in the form of a bright blue wall, which contracts over time. This results in a more limited map, which results in the possibility of encounters. During the game, the random areas of the map are highlighted in red and bombarded, which is a threat to those players who remain in that area. In both cases, players are warned a few minutes before these incidents, which gives them time to move to a safe place. Randomly, an airplane will fly on many parts of the playable map and leave a loot package, which contains things that can not normally be obtained under the playing conditions. These packages emit the highly visible red smoke, attract interested players and make more. Collision On average, a full round does not take more than 30 minutes.

At the end of each round, players earn money in the game based on their performance. Coins are used to buy cosmetic items box to personalize characters or weapons. A rotating "Event Mode" was added for the game around March 2018. These events change the general rules of the game, such as setting up large teams or squads, or changing the distribution of weapons and armor on the game map.

System Requirements :

• CPU: Intel Core i3 2.4GHz
• CPU SPEED: Info
• RAM: 4 GB
• OS: Windows 7/8/10, 64-bit
• VIDEO CARD: Intel HD Graphics 4000
• PIXEL SHADER: 3.0
• VERTEX SHADER: 3.0
• FREE DISK SPACE: 4 GB

Note: 

• You Must Download VPN Gate to Play.
• we do not encourage any cracks in our website.
• Watch How To install click here

credits: PUBG PC 

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Gymkhana Seven: Need For Speed No Limits

[Hoonigan] Ken Block: Wild in the Streets of Los Angeles

Sadly EA has chosen to let the year slide by without a new Need for Speed title. However, they have announced a new title for mobile platforms called Need for Speed: No Limits.

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PUBG's Tweet To Apex Legends

'APEX LEGENDS', released on 4 Feb. 2019, is a Battle Royale game by EA and RESPAWN ENTERTAINMENT.  Amazingly, this game took only 72 hours to reach 10 million players. PUBG also congratulated them on Twitter.

                  Upon its release, Apex Legends has been moving like a storm destroying every Battle Royale game in its way that includes Free Fire, Survival Game and other battle royale games. It seems that very soon Apex Legends will reach to the point where PUBG is now. It reached 1 million players in the first 8 hours, 2.5 million in the first 24 hours and finally 10 million after completing 72 hours.

                 On the other hand, PUBG congratulated Apex Legends when they reached 1 million players. It is given in the image.

                  Though both the games have the same objective to be the last man standing, both games are different in their own manner. PUBG is doing its best to make the game more realistic while Apex Legends is focusing on characters with special abilities and more futuristic gear.

                 Coming to characters, for now, Apex Legends has 8 unique characters to choose from. The characters are given in the image below.

                   Answer to the question 'Which platform will support it?' is Microsoft Windows, PS4 and Xbox One. 

         The most important thing is that it is free to play. And if the creator of PUBG is singing its praises, it must be pretty good.

What is your opinion about Apex Legends? Do you think Apex Legends will defeat PUBG? Tell us in the comments section below!

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MotoGP 3 - Highly Compressed 135 MB - Full PC Game Free Download | By TN GAMER

MotoGP 3 - Highly Compressed 136MB 

MotoGP 3 or MotoGP 3: Ultimate Racing Technology is a motorcycle video game released in 2005. It is similar to MotoGP 2 but represents the 2004 Grand Prix motorcycle racing season.

Developer: Climax Racing.
Publisher: THQ.

Features Of This Compressed Game:
Highly Compressed To 135 MB
Easy To Play With Guide
No Game Crash Issue
Extract And Play Available
Full Version With Pre Cracked.

SCREENSHOTS:

Minimum System Requirements:
CPU: 1 GHz or equivalent
RAM: 128 MB
VGA: GeForce 3 or above DirectX compatible graphics car
DX: DirectX 9.0c
OS: Win98 / ME / Windows 2000 / XP
HDD: 250 MB Free Hard Drive Space
Sound: DirectX 9 compatible sound cards
ODD: 4x CD-Rom drive

  Download MotoGP 3 Demo version